April 27, 2009

Momoi to perform in Mexico

In Hawaii, Momoi mentioned she would be doing a concert in Mexico but did not reveal any specifics. Recently, Hello Wota!, probably the authoritative blog for idol otaku in Mexico, has shed some light on Momoi's upcoming performance in Mexico and revealed they had a significant hand in bringing Momoi to the western hemisphere once again.

The post links to Momoi en Mexico which says the current dates are set for August 1 and 2 at the CENART building in Mexico City - quite a ways down south. For US Momoists at least, this won't be a simple day trip. Maybe I'll just need to have a vacation around that time. Then again there's Animelo 2009 to worry about.

Posted by Paranda at 11:41 PM | Comments (8)

April 18, 2009

New Momoi forum

Since our old admin has been MIA for half a year and was the only person able to approve new accounts, a new Momoi board was set up by a fan which we will use to plan events.

Please visit us at forums.halkomomoi.com :)

Posted by Paranda at 10:38 AM | Comments (71)

April 8, 2009

Upcoming AKIHABALOVE releases

Momoi is no slacker regarding her startup label it seems. She'll be putting out three new singles in the next few months.

1. Ruzi Guzi
This first AKIHABALOVE RECORDS release features the strangely named Yurumeitsu OVA opening theme (Ru-ji- Gu-ji-?) coupled with "Brand new music" from the "full voice drama movie" Dvorak no Kyuujitsu.

Available 4/29 from CDJapan.

2. My resolution ~ano toki no shita de~.
The first of Momoi's "Summer of Love" collaboration series. Momoi doesn't sing on this but the Akihabara Queen will compose and arrange two songs for the Anisong Diva Okui Masami.

Available 5/27 from CDJapan.

3. Jienotsu Song
Momoi joins forces with a cosplaying kickboxing champion on her third single, and has been tasked with creating his theme song. Denpa no sekai has a nice writeup on the background behind this. Despite allusions to CM Punk, unfortunately kickboxing is non-staged (as far as I know) so we grudgingly have to rule out the possibility of Momoi playing heel manager and doing ringside run-ins with a big pink hammer.

Available 6/17 from CDJapan.

Posted by Paranda at 9:58 AM | Comments (6)

April 7, 2009

Momoi announced as Fanime guest

The San Jose based anime convention Fanime revealed Momoi as one of their mystery guests.

This will be the first time Momoi visits mainland US since AX07. Anybody living near the area or willing to fly in, please come join us and have fun at Momoi's concert.

Posted by Paranda at 4:16 PM | Comments (19)

April 7, 2009

Completed the Handbook of Fixed Income Securities (the Fabozzi book)

My first New Year resolution success story at last! I bought this book my first week on the job but it just functioned as a base for my Potemayo figure collecting dust. I finally decided this year that I'd been putting off way too long and if I didn't start then I'd never read it in my life. It took me 3 months using up what free time I had when I wasn't fawning over idol seiyuu but I finally finished all 1500 pages of this monster today - cover to cover.

So what do I have to show for it?

Nothing I guess, because I forgot most of details. I can't retain info like I used to. At least I can recall roughly where a topic is in the book real fast if I need to look it up.

Thems the breaks...but I feel good enough to brag about it. So that explains this post.

Posted by Paranda at 12:15 AM | Comments (9)

April 2, 2009

Punkolle - listen once, then sweep it under the rug forever

After over a month of waiting due to some shipping snags and the delay of another accompanied item, my copy of Punkolle ~voice actresses' legendary punk songs collection~finally arrived last weekend. Well..where to start?

It's fitting that the cover features moe avatars of the six seiyuu all delivering the middle finger squarely to the listener. I suppose that is exactly what was promised though - terrible renditions of songs pronounced with atrocious engrish accents in ridiculous voices. In fact even the "engrish" part is suspect as many tracks are utterly incomprehensible. The liner notes naturally do not contain any lyrics, since it is clearly a wasted effort. I suspect the recording process involved the recording crew ambushing stumbling drunk seiyuu on the way home from a bar with a microphone and betting if they could sing from memory.

Of course for everyone who happily listens to the Moetans, Maritans, and countless other "this is a pen" style attempts in the world by seiyuu to cutely mangle the English language, concerns about quality or clarity take a backseat to novelty. With this in mind as context, Punkolle was generally a success. Sure some songs had a few wasted opportunities to get creative with the source material, but most tracks met expectations nicely, and three particular ones exceeded way above and beyond. In order of preference:

1. Sex and Violence. This song practically defines the entire compilation.
Momoi opens the album on a high note, taking generous artistic liberties with "Sex and Violence." In order to compensate for having exactly one line, each slightly-too-happy reptition is done with a slight variation on the voice or background effect that progressively escalates into the absurd. By the second half, Momoi has gone clearly lost her mind and has gone from just adding "cha cha!" in between lines to declaring herself to be a cat, yodeling in high falsetto for the backing vocals, slurring her speech like an old man, and inexplicably screaming "Oniitan!" (in a song about Sex and Violence). Listen carefully and you can probably pick out more than two dozen different voices in all.

2. God Save The Queen. I have no future.
Ikezawa Haruna's take on God Save The Queen is excellent and probably my second favorite track on the entire album. Ikezawa has a decent enough voice, but what really distinguishes this performance is that instead of just singing the words, she makes a ridiculously cute attempt to throw in an accent, tons of vocal slides, and plenty of style. She even rolls the R's! The effort is quite amazing and at some points it almost seemed as she really did believe she was a punk superstar. The song sort of runs away with its own personality and makes for highly amusing listening. She does this well in Basket Case as well, although to a lesser degree. Either way, Ikezawa's strange accent is something I can't quite pin down but I know I like it.

3. Pretty Fly (フォ・ア・ホワイト・ガイ)
Since "Pretty Fly" is already a satirical work in itself, intentionally corny, and a popular target for parodies, I figured there wasn't really much potential in this song aside from maybe the humor in Kadowaki Mai calling herself a white guy. Yet somehow, Mai manages to create a musical abortion that few people can ever be ready for. The entire song sounds like it was done by a second grade student desperately trying to recite lines for the school play while making "> <" eyes and running out of air. The delivery is occasionally broken up by her piercing "ahaa ahaa" that is enough to make me nervously check over my shoulder for policemen (explaining the situation probably wouldn't make things better). This is the track you can show to annoying people if you want them to look at you funny and leave you alone.

While there are a few other nice covers, these three tracks are all that make the entire album worth getting. Of the remaining titles, Momoi's Call Me was probably the strongest in terms of singing ability. Other fun tracks included Goto Yuko's surprisingly non-abrasive "Smells like Team Spirit", "London's Burning," and Shimizu Kaori's "Blitzkrieg Bop" which sounds like it was ripped out of an Adventure Island level. The weakest tracks were Tanaka Rie's covers which, while not actively bad, did suffer from extreme dullness. Punkolle could be a historical album noted to be one of the few song compilations where Goto actually comes out ahead of somebody else.

So I guess I lied in the subject, because the truth is I actually might listen to it a few more times, but only certain songs and I probably wouldn't admit it under any non-otaku social setting. In the right situations though, it is a nice CD to bring out especially since it appears to have flown under the radar in the English speaking community (I only read 2 - 3 sites talking about it at all). As proven in Hawaii by another Momoist, it can be weaponized for highly effective use during road trips - great for springing on a captive audience. To avoid severe bodily harm when listening in a group setting such as the above, make sure everybody involved has a safety word established in case things get out of hand.

Buy it!

Also, I got the Momoi card :P

Posted by Paranda at 11:15 PM | Comments (20)

« March 2009 | Main | May 2009 »